In the National Museum in Beijing I saw these three beautiful statues of serene Buddhas from the Ming period. The symbiosis of Buddhism and ceramics has to be seen to be believed. I was especially impressed by the large and colourful porcelain Buddha (photo below), whose buffed surface looked like any of the decorative Ming vases in an adjoining hall. If it were not for the serenity radiating from the face and fingers of the right hand held in the Karana mudra, warding off evil, I would have had a tough time guessing who this represented.
We nearly did not go to the museum; three weeks is not a long time in Beijing if you are also in meetings most of the time. The museum is not billed as one of the must-sees. After our visit we thought it is unfairly neglected. In any other city it would be one of the star sights.
The immense building has eight large exhibition halls on each of its four floors, and more in the basement. We knew we didn’t have time to see everything, so our list of priorities was based on an abstract idea of classical Chinese art: ceramics, paintings, statues and jade. Each of these collections was enormous. We missed much, and we plan to visit the museum again when we come back to Beijing.