This statue in the Lama temple in Beijing reminded me of the Tibetan statuary I grew up with. One of my grand-aunts was an artist and a keen traveler, who collected, among other things, statuary, masks and paintings from the Himalayan, mainly Tibetan, Vajrayana buddhism. Her collection was large enough that it spilled over to all her brothers, sisters, nephews and nieces. Even now, the violent imagery and snarling masks induce in me a sense of peace and nostalgia, and clear visual memory of her large house, and in general, of my extended family.
But now, planning a possible trip to Dharamshala and McLeodganj, I became curious about Tibetan history and religion. Religion first: the extreme ritualism and the violent iconography of Himalayan buddhism is completely at odds with what one learns about buddhism in India. Moreover, Nepali and the remnants of Indian Vajrayana buddhism do not have such violent imagery. It turns out that the dominant Gelugpa (yellow hat) sect, to which the Dalai Lama belongs, is possibly a late and syncretic development. The rituals come from the late Indian Vajrayana (tantric) buddhism, carried to Tibet by the monk Padmasambhava. There could be a dash of Bon beliefs and a soupcon of older Mahayana buddhism stirred into this. Some of the imagery could be a survival from Bon, but the violence?
This brings me to the second point: history. Tibetan history has been warlike. From the Tibetan empire of the 7th century, there were continuing wars with Nepal, Indian kingdoms, China, the Mongols, and later with the Sikh and British empires. Buddhism became a state religion by the 8th century, and the Dalai Lamas were involved in Tibetan and Asian politics since the 16th century. It is possible that this warlike stance of the state crept into the iconography we associate specifically with Tibet.
The re-invention of Tibetan buddhism as a religion of peace seems to be due to the 14th Dalai Lama, Tenzin Gyatso. This Gandhi-like political-spiritual transformation is his greatest achievement, and directly responsible for the rock-star status that he enjoys.