Horses

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I find that Chinese images of horses are subtly disorienting. Perhaps I’m too used to the use of images of horses to depict freedom, grace and wild spirits: this is ubiquitous in advertising. Indian art also sees the horse as a symbol of grace. Chinese art, on the other hand, seems to see the horse as a symbol of power. The muscles of the chest and haunches are exaggerated. The photo above is a typical contemporary depiction of a horse; this is a piece in the art museum in Wuhan. Of course, contemporary art exaggerates. But the exaggeration says something about the artist’s notion of the subject.

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How far back did this iconography emerge? I flicked through the photos that I’d taken during my recent trips to China and stopped at the image of the oldest horses I’d seen. The photo above is a famous piece, one of the two chariots dug up from near the tomb of the first emperor, Qin Shih Huang. It can be seen in a special exhibit in the enclosure with the famous terra-cotta warriors of Xi’an. One can see a fairly realistic depiction of a horse. If there is an exaggeration of the chest and haunches then it is mild. So the current Chinese concept of a horse is not two thousand years old.

That’s a long enough time for an academic to research and build a thesis upon! I’m happy enough just looking at these strange Chinese horses.

By I. J. Khanewala

I travel on work. When that gets too tiring then I relax by travelling for holidays. The holidays are pretty hectic, so I need to unwind by getting back home. But that means work.

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