Two beautiful pieces

Paperwight, American, early 20th century, Art Institute of Chicago

On a cold day I walked into the Art Institute of Chicago, past the people taking selfies with the lions at the entrance. I checked in my coat and walked down to the basement to look at the collection of photographs from Japan, and was distracted by an odd collection. There was a room full of paperweights! The display was in a little corner, and most people seem to have walked in by accident or out of curiosity. I don’t know whether there was anyone there who looked at the displays with an expert eye. I walked around and took a photo of the stunningly kitschy piece that you see in the featured photo. I guess if you want to make an arresting piece which sits on a table and is seen every day you could do worse than load it with little details which can keep the user’s attention for years. I think this one succeeds.

Hachiman as a monk, Japanese, 10th century, Art Institute of Chicago

The Art Institute has a beautiful small collection of classical art from Asia and India. One of the pieces which I spent some time admiring was the wooden image of the Shinto god Hachiman in the guise of a monk which you see above. The calmness is a special characteristic of Japanese divine images. I admired the texture of the wood, and wondered how the sculpture would have looked when it still had paint on it. This is over a millennium old. How old must human emotions be, to be able to communicate over such vast periods of time.

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Author: I. J. Khanewala

I travel on work. When that gets too tiring then I relax by travelling for holidays. The holidays are pretty hectic, so I need to unwind by getting back home. But that means work.

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