Eunice de Souza

Learn from the almond leaf
Which flames as it falls.
The ground is burning.
The earth is burning.
Flamboyance
is all.
–Eunice de Souza, 2016.

Eunice de Souza died this rainy weekend. She was 77, and a member of a generation from Mumbai who remade Indian poetry in English. She was never as well-known as Arun Kolatkar, the older Nissim Ezekiel, Adil Jussawalla (who was, for a while, her colleague in the Department of English in St. Xavier’s College, Mumbai) or Gieve Patel. However, the enormous outpouring of emotion from her erstwhile students this weekend testifies to the deep impact she had. One thing that emerges from this is her personal flamboyance.

This arose from her not taking much account of what others thought of her. One tiny example of this can be seen in the photo alongside. It shows her in her kitchen with her pet parrot Koko. He appeared in her poetry. He was also brought up as an excuse when she didn’t want to leave home: "I don’t think Mr. de Souza will want me to go." Her friends knew this for a joke. She alludes to this in-joke in a poem called Guide to a Well-behaved Parrot: I shout at him/He shouts back/Really, I may as well have been/married.

In recent years I remember her from her weekly column about literature. They were clear, free of academic jargon (but not of humour), and spoke to her readers as equals. It was hard to connect this to her bleak last collection of poems, Learn from the Almond Leaf, many of which have been quoted in this Sunday’s newspapers. I will end this post with another poem from this collection:

My mother’s bones in a niche.
My aunt’s ashes likewise.

A lifetime.
A lifetime.

–Eunice de Souza (1940-2017)