Private audience

At the northern corner of the Swarga Vilasa, a small door connects to an ornate room called Natakasalai. The name seems to imply a theater, but the information that you can read on your way in implies that Thirumala Nayak lived in this area. Other areas in the now vanished palace complex had uses which would need a theater. I could steer a middle step in guessing, and say that this could well be a private audience chamber. It is ornate enough to befit one of the richer kings of the south, whose kingdom encompassed a large part of modern day Tamil Nadu, and some portions of Kerala and Karnataka. The featured photo looks eastwards down the length of this hall.

The center of the room is sunk a little below the level of the Swarga Vilasa, and on the east the space resembles a raised stage. It reminds you of a modern theater with its raised stage and low seating. But in the 17th century the king would not have sat at a lower level. If this was used for dance or theatre, then the performers would have been in the center, with the king seated to the east. If this was an audience chamber, then again the king would have sat on the platform in the east.

The decorations here are finer than those outside. There were the usual winged lions rampant on the finials of the pilars, but below them the ornate leaves and vines were much finer and more delicate than the beautiful work I’d already admired in the outer chamber. I have not seen such fine work in clay before.

This area is used as a somewhat haphazard museum. Some of the sculptures on display are interesting, but perhaps the most interesting are the pillars with epigraphs which are kept in a small and bare side chamber.

Author: I. J. Khanewala

I travel on work. When that gets too tiring then I relax by travelling for holidays. The holidays are pretty hectic, so I need to unwind by getting back home. But that means work.

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