I like to enter China through Shanghai. In my mind this is ChinaLite; many people can speak English, they are used to tourists, and the city is a mash up of old and picturesque China and the brash new China. We’d given ourselves a day of indulgence, full blown tourist treatment, before traveling on. Our hotel was a five minute walk from the famous 16th century Garden of Peace and Comfort: more popularly known as the Yu garden, 豫园. We had a long breakfast and walked over to the garden.
In this SaturdayLite post I wanted to show you that the garden is not just a place for foreign tourists. Nothing in China is. Just as in India, the local crowd of tourists far outnumbers foreigners. I did a bit of guerilla photography, but the trio posing at the moon gate in the featured photo noticed us. We had a nice conversation: their sentences peppered with a few words of English, ours with a word or two of Putonghua. We established that they were from Shanghai, and we were from India. We walked through parts of the garden at roughly the same pace, and they continued to point out interesting things to us.
This moon gate is not typical, since there is a closed door behind it. But I like it for another reason: the lattice work on the door behind it (visible through the glass) is typically Chinese. When you look carefully at it you notice that the symmetry is very subtle. The top and bottom halves are not simply copies of each other. This subtlety, the refusal of obvious symmetries, is a hallmark of Chinese art and architecture.
So many more aesthetic alternatives become available when you reject symmetries. One example is in the undulating walls which separate different sections of the garden. When you look carefully above the gates which open in the walls, you notice that the undulations are the bodies of dragons; their heads are seen above the gates which pierce the wall. The one in the photo above shows a little toad below the dragon. Many animals in Chinese architecture seem to have symbolic value. The toad symbolizes longevity. Together with the dragon, it symbolized a long life full of good fortune. A very appropriate symbol for a garden of peace and comfort.
The story made the excellent images come alive for me. Thank you.
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Thank you.
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Would have missed the toad, had you not mentioned. I don’t recall the dragons on the wall, got to do with my whirlwind trip of Shanghai for sure!
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Time to go again, perhaps? Seriously, you always notice new things on the next visit.
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You are right and if I get the chance I’d love to.
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It is surprisingly close. Hing Kong and Shanghai are 5 hours away, and not expensive. And China is less expensive than Europe.
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Last time I had gone through an official business trip so I didn’t have to bother about the cost of travel and stay, if I go on my own I definitely need to 😀
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It’s great if you can combine work and holiday.
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so enjoyed this post, and the detail you give.
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Thank you very much.
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Pleasure
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I was very interested to read your observations on Chinese architecture, all new to me.
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Thanks. They were all new to me too until I saw them in China.
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