Like many others, I must have discovered Dylan Thomas’ poem in my teenage years. In those days it was a sort of a secret anthem on how to live for a cryptic club. The anthem adapts to circumstances. On a late afternoon walk through the Marine National Park in the Gulf of Kutch, I thought about the poem again. People I knew in Wuhan were already in lock-down, and in February it was already clear that the pandemic would strike some time, but that was not what was uppermost in my mind.
We strolled for more than a kilometer out to the waterline. The tide in this gulf is spectacular, and the receding sea had left pools in which we could see sponges, puffer fish and crabs. Over the years I’d discovered that I was similar to a migratory shorebird, like the common greenshanks (Tringa nebularia), which visits these pleasant coasts in winter, striding through tide pools, stopping to inspect things, turning over little stones. The sun was about to set. “Time to go back”, said someone. “Just a few minutes more”, I said, trying to prolong the pleasant day, raging against the dying of the light.
The poem is about living right, as all teenagers know. It is not about dying.