A piece of art gallery

My phone was running on fumes and my camera battery had given up the ghost. It had been a long day of shooting by the time we reached the museum and art gallery of the Junagadh fort in Bikaner. I’d put the phone on flight mode, turned the screen to its dimmest to save batteries, and decided to be very selective about the photos I took here. In this jewel box of an art gallery, I had a hard time keeping my phone from going dead. The entrance was enchanting enough, with the long sight lines of museums, but with walls and doors which were themselves pieces of art.

Founded in the 15th century, the city of Bikaner was placed strategically in an oasis on the part of the southern silk route across the Thar desert. The wealth of the city soon made it a center of arts. The British Regency of the late 19th century squandered much of the state’s wealth, but it recouped and remained wealthy even in 1961 when the then-Maharajah, Karni Singh, established this museum in the grounds of the fort to showcase the arts of Bikaner. Even everyday things like straps for camels, made of camel hair, as in the photo above, were nicely decorated.

I spent a lot of time admiring the exhibits. They were filled with the flora and fauna of the region, like the barred button-quail (Turnix suscitator) that you see painted at the bottom of one of the glass bowls on display. But what I spent time photographing was the museum itself: the stunning paintings on the wall. It seemed that every wall was covered with elaborate paintings, mostly floral.

Even tiny window alcoves merited their own decoration. The sky filled with clouds, thunderbolts corscrewing between them wasn’t a common sight here, and it still isn’t. But why not paint them on the little piece of ceiling above every window? It would be a relief from the view of the arid exterior with its blinding desert light.

The floral paintings on the walls incorporated little urns or flower vases with desert scenes painted on them: camels, dunes, forts. I found that a very clever piece of art. The art within the art reflected reality, reminding viewers that the art they saw was not reality. Centuries of artistic tradition, and reflection on art, are encapsulated within these little pieces. Most art histories that I’ve read of Bikaner and its neighbours are more lists than any engagement with its traditions. I wish there were more interesting articles on the art history of these desert kingdoms.

I. J. Khanewala's avatar

By I. J. Khanewala

I travel on work. When that gets too tiring then I relax by travelling for holidays. The holidays are pretty hectic, so I need to unwind by getting back home. But that means work.

17 comments

  1. I felt good while reading this. I sometimes feel guilty when I’m walking through a museum, or wore, sitting in.a church, but I’m studying the interior architecture and decorations. I know that the art in a museum isn’t there to decorate the building, but sometimes it does. And sometimes, as you have pointed out, the building itself is a work of art. Thanks for sharing this. I’m glad your batteries held out.

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  2. This looks gorgeous – I’m glad you had enough battery left in the phone for at least these few photos to share with us 🙂 But this is why I always carry TWO spare camera batteries – one in case my battery runs out and the other in case the spare doesn’t work or I find I’d forgotten to charge it!

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  3. I would dearly love to see all the artefacts plundered by, not just the British, but also all the other empires (European and other) returned from whence they were plundered. Whether that be from India or elsewhere. All that sort of thing has been going on throughout history of course and I’m sure that the Indian empires and dynasties also acquired wealth by means of plunder. In recent times the Nazi’s were quite good at too. Although it would be possible to return items that are in state owned / controlled museums, so much will be in private hands of course and that would be a different matter. It won’t happen in my lifetime of course.

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