Karan Singh’s darbar was reputedly held in this hall. Once the darbar hall would have opened into the courtyard in front of it through enormous arches. But now perspex sheets cut off the courtyard from the covered throne hall. We walked in from a side entrance to view the place where the emperor and his courtiers gave public audience, the Diwan-i-Aam.



Above the throne was an immense carved wooden ceiling. A hand drawn fan of red velvet hung over it just behind the throne. Red seemed to be a recurrent theme: the wooden throne had red velvet cushions, and the carpet around the it was a deeper shade of red. I didn’t think the naked LED bulbs were part of the original decor. Someone should find lampshades which were used here. But the doors behind, which led to private gardens, were beautifully decorated.


More than the doors, the eye was drawn to the painted ceilings and walls. I would see more examples all through the palace, but these were special. You can see them in the photos above, and also in the featured photo. Karan Singh reigned in the middle of the first half of the 17th century, but the redecoration of this Diwan-i-Aam continued till the end of the 19th century. I believe that most of the decorations we see now come from this later period.
Beautiful details! Thank you for sharing.
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Glad to read that you liked it
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The intricacies in these photos are lovely, especially your very first. Wonderful colors.
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Thanks. I was amazes
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Those ceiling decorations are exquisite!
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Very. Thanks.
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I love it when we get to see what’s behind beautiful doors. The ceiling is amazing.
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Isn’t it just!
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The ceiling details are quite wonderful.
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Thanks. This was the first interior we saw in the palace
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