The Family assures me that I’m wrong about this sign in front of my seat on one of the new Airbus A320 Neos. but I’m not so sure. I puzzled about it for a while, before I discarded the idea that this shows where to look for blond wigs. I think Airbus has put stowage space under each seat for women’s underwear. I think I should find it outrageous that they have not provided for men’s underwear. I looked at the signs in front of some of the other seats too, so it’s the whole plane.
A few days ago I was one of the naive people who believed that bananas were just another fruit. That was before I went to Mylapore and realized the errors of my ways. There are fruits: grapes, pomegranate and papaya. And there are bananas. The English language has no words for this variety. One can say yellow banana, green banana, fat green banana, red banana, short yellow banana, thin long green banana, and so on. But the variety is really too large for the language to capture.
I wonder whether Tamil has the words to capture the variety on display here (as a comment to this post informs me).
A week from now I’ll be in West Sikkim. Time to brush up on my Dzongkha. All I remember from my trips to Bhutan are three phrases: kuzu zangpo for welcome, kadrin chhe for thank you, and tashi delek for good luck. Tibetan also has the phrase tashi delek with more or less the same meaning. Fortunately, the omniscient Google pointed me to a Dzongkha phrasebook. Continue reading “Brushing up on Dzongkha”
I more or less finished a one semester course on elementary spoken Chinese and another which taught me how to write about 50 characters, and build words with them. Now that the end of the course is about two months in the past, I realize that I’m back where I started: I can barely read and write Chinese. Last week I tried to say a few words to a couple of Chinese friends and failed miserably in communicating with them. Almost everything I memorized has disappeared.
So I was happy to read what I understand is a famous article: Why Chinese is so damn hard. If you are struggling with Chinese, it is good to read this article.
Lost it? Need to find it again? Just follow the sign.
This is a sign from the burial mound of the first emperor (Qin Shih Huang) in Xi’an. The Chinese characters in this sign read minzu jiliang. Minzu is accurately translated as national. Jiliang could be translated as either back or spine. So, the translation is rather accurate. But what does it mean?
I asked a linguist. His explanation turned out to provide an interesting insight into modern Chinese culture.
I’m familiar with words for relations within the large extended Indian families, the single word that expresses whether your grandmother is from your father’s or mother’s side, the clear difference between your father’s elder or younger brother, the lack of such a differentiation for his female siblings, the lack of differentiation between an older sibling and cousin of the same sex, and so on. When we got married, and The Family and I slowly learned these words in another Indian language, we also found the interesting occasional differences. For us these relations are living and important, they affect our social ties.
When I started learning Chinese I was not surprised that there is an equal variety of words for elder and younger sisters and brothers, for uncles and aunts, based on the order of their births, for grandparents. But in China these are linguistic fossils. For two generations there have been no siblings. A lost taxi driver in Wuhan will call out Meimei (meaning younger sister) to a passing woman to stop and ask for directions, in startling contrast to one in Kolkata who will call out Didi (meaning older sister). But these are synthetic uses. Very few in China have siblings: gege, didi, meimei, jiejie, or uncles and aunts: bobo, jiujiu, guzhang, gugu, yima, or cousins. On the other hand, walking in a park you will keep hearing the words yeye, gonggong, nainai, laolao as children call out to their grandparents. Changing the structure of families is a genuine cultural revolution, a complete break with China’s own past. But language is tenacious, the fossils of these relations remain.
It is late in the night of a day I’ve spent on Chinese and I’m frustrated. It is so very hard! I’ve been learning Mandarin (which I wrongly call Chinese in the rest of this post) and the Chinese script for sixteen class hours now, followed by about thirty follow-up hours outside of the class. I’m finding it hard to keep up with the teacher’s (jiao shi de, 教师) expectations. I really enjoy the classes, but the words and characters disappear from my mind like water through a sieve (shai, 筛子). I’ve spent the last four hours thinking about what it is that is difficult about Chinese and I put down my thoughts here.
It is not the grammar. The rules of grammar are trivial for those who speak two or more Indo-European languages, especially if one of them is Indian and the other European. A sentence is subject-verb-object (eg, I love you, wo ai ni, 我爱你). There are little twists like particles, for example, a word which converts a statement into a question (eg, you are Chinese, ni shi zhong guo ren, 你是中国人 becomes the question are you Chinese, ni shi zhong guo ren ma?, 你是中国人吗?). But there are functional equivalents in Indian languages (in Hindi, you are Chinese, आप चीनी हैं, becomes a question by adding क्या, as in आप चीनी हैं क्या?). It is not the grammar which makes Chinese difficult.
It is partly the tones. I once asked a taxi driver in Beijing to take me to the Tian’anmen square and he did not understand what I mean because I did not have the right tones (Tiān’ānmén). I had to write out 天安门 to communicate. Mandarin has four tones, Shanghainese with its tonal regularities might be easier; I’m glad I’m not learning Cantonese or Hakka which have six tones, or Taiwanese, which has seven. When you speak Mandarin you have to get used to using the right tone for each word in order to make sense. This means a lot of practice. So it is partly the tones which make it difficult to learn Chinese.
It is largely the sheer strangeness of having to learn characters (han xi). I’m used to learning an alphabet. Every time you learn a new word you already almost know how to write it (we are not talking about English, obviously). Traveling inside India, The Family and I play this game of learning the alphabet by comparing signs in English and the local language. These skills are not transferable to Chinese. Each word that you learn has to be learnt twice: once as the sound, again as the shape. This is what I find to be the hardest part of learning Chinese.
It is also partly our (my?) wrong assumption that learning basic characters would mean that I could read the language. An example of where this goes spectacularly wrong is the word for Mumbai (Mèngmǎi, 孟买). By characters, the translation is first month + buy. In fact, the Chinese have different words for characters (xi, 字) and words (ci, 词). The fact that combinations of characters can often mean something totally different from the meanings of the characters is also what makes Chinese difficult.
This need not be surprising for anyone conversant with an Indo-European language. In these languages, the script is always alphabetic, and you spend a bit of time learning the alphabet. But then, combinations of letters mean so much more than the letters themselves. The difference is that in Chinese the number of basic characters is much larger. I’m told that knowing 2000 characters is enough to read a newspaper. I’ve spend 4 weeks learning about 80 character, and will know perhaps 1000 characters by the time the course ends. Will this be enough to read newspapers, and increase one’s own ability to learn more? I don’t know.
Finally it is the fact that the characters (han xi) are so difficult to remember. I was so confused about the difference between me (wo, 我) and clothes (yi, 衣) that one night I dreamt of writing these two characters over and over again with a pen in a notebook, and then with a brush on a scroll, while wondering what the difference in meanings of these characters is. When I woke up in a cold sweat I rushed to a dictionary to find out. It was 4 in the morning, and this incident completely ruined my day. So, yes, partly it is the sheer number of characters which makes the language difficult.
There seems to be no way to get over these factors. I guess one has to just practise until one is perfect.
“I’m coming as the president of a friend,
and I’m coming as a sportsman.”
–George W. Bush,
on his trip to the Olympics in China,
Washington, D.C., July 30, 2008
A few minutes with Google translate convinced me that I could speak Pǔtōnghuà (Mandarin), but others might not understand it. The world needs more than the few weeks remaining before I leave for China to come to grips with my Mandarin. Pinyin, which is Chinese written out in Roman characters, is apparently not going to help in China.
Could writing hànzi (Chinese characters) be easier? Having once learnt how to tell exit from entry and the men’s from the ladies’, I know that this is about what I could learn. I’m not interested in reading newspapers, just figuring out signboards. I need to know just enough to write the basic numbers and some important stuff like “Do you know English?”
There’s a great page on the Forbes’ website which gives me a basic eight character vocabulary. Look at it, it is definitely a confidence booster. Until you realize that you need to learn a few thousand characters to read newspapers.
Numbers don’t seem hard. The above table comes from this page, which also tells you how to combine these symbols into composite numbers. The Chinese system for writing numbers is simple and intuitive. I should be able to recognize a printed number. This website shows how to write these characters.
It turns out that you specify a month by writing a number between 1 and 12 and following it with the symbol for month: 月 (meaning moon, pronounced yuè). The first month is January. Days of the week are written by first writing 星期 (pronounced xīngqí) followed by the numbers 1 to 6 (Monday to Saturday). I rest on Sunday.
A tool called Skritter teaches you how to write various characters, and the rules for writing hanxi in general. It’s a great tool actually.