There’s one fabulous upside to traveling in a group of like minded people. I discovered it during our bird watching trip to Jamnagar in Febraury. You get pushed into doing things which you had not tried before. One of my travel companions, let us call him Knowledge, was a fashion photographer who had recently turned to bird photography. He was constantly trying to get birds in flight. Since we had to keep pace, instead of patiently waiting for him, I decided to also shoot in flight. My camera is not perfect for this, since the shutter lag is longer than I would have wished.
While Knowledge panned and took bursts of shots, I decided to concentrate on hovering birds. Beginner’s luck. I had a stroke of that when this black-winged kite (Elanus caeruleus) chose its restaurant. I was on a small cliff, overlooking a stretch of open land, and this was hovering just slightly above eye level. You can see this kite across India and all the way down to Sundaland and southern China on the east, and everywhere in sub-Saharan Africa, and parts of the Iberian peninsula to the west. Moments after this, the bird swooped down to pick up something. I lost sight of it, but it must have caught something, otherwise it would have come up again to hover.
I noticed that its head had a bit of colour, its eyes were quite dark, and it had dark patterns on it back. An adult would have had red eyes, a pure white head, and no markings on the back. So this was a juvenile, certainly less than two years old. Thanks, Knowledge, for getting me to try out something different.
On our last visit to the Gulf of Kutch during our trip to Jamnagar, I was dismayed to see this bicycle parked near the tide line. Two children had come out here as the tide receded, and were playing at the edge of the water- skipping from one rock to another. Their presence had driven the birds out into far shallows. Although it was going to be hard to take photos, we hung around for a while. I spotted a whiskered tern (Chlidonias hybrida) circling over a spot out over somewhat deeper water.
I hadn’t tried to shoot photos of a tern at hunt ever before. Nor had I ever watched one closely as it hunted for fish. Now I was mostly fussing about focus and distance, but through the viewfinder I followed it as it hovered over one spot, looking straight down. This behaviour is a boon for photographers, since it allows you to fix the focus. It moves very quickly when it spots a fish and dives. I was lucky to get a few shots of it as it dived, but missed the moment when it picked up its prey. It seems that it likes to wait until the fish is at the surface. Its bill may have broken the surface, but without much of a splash. Unfortunately it winged away from me immediately after, so I didn’t get a shot of it with the fish in its beaks. The next time I see this, I’ll know that I can zoom in a bit more, since its motion is fairly predictable.
The profusion of reliefs in Hampi showing horse traders seems to bear out a factoid that I’d heard repeatedly: that the Vijayanagar empire was the richest in the medieval world during its century of dominance, from the mid 15th to the 16th century CE. This probably has to be qualified slightly, since this was also the heydays of the Ming dynasty in China. But comtemporary records seem to indicate that the medieval city of Vijayanagara was not much smaller than its contemporary Beijing. It exported diamonds and imported horses. Its capital was a market which attracted Arab traders, and eventually Portuguese and Dutch travellers.
From various sources we know today that the most productive diamond mines were owned by the king. Workers were paid wages, but no other incentives. Based on the recorded wages paid to workers in the diamond mines, Pande and Raviteja wrote “Thus it may be constructed that the labourers in the mines probably led a miserable life.” The incredible difference in the quality of life of kings and commoners was noted by several travellers. It is likely that horse traders were far better off than the masses.
Iron, bronze and copper were mined and used. Iron was smelted in charcoal furnaces to make steel. In his influential book on the Vijayanagara empire, Robert Sewell wrote in 1900 that irons and steel was largely used to make weapons, but there was sufficient surplus to be turned into common household objects. The construction industry was dominated by temples and palaces, and employed a large number of masons, master builders, sculptors and various other artisans. Records of donations to temples show that artisans were well-off. Stone walls in temples (see photo on top) are dressed with precision, blocks sized and matched perfectly to sit on top of each other. So the lack of precision in the dressing of stone blocks in public works like the aqueduct of Anegondi (photo above), or the Mahanavami Dibba, cannot be attributed either to the lack of metals, or the lack of trained artisans. If this has not already been investigated by historians, then here is a mystery to be solved.
On our way out of the Maasai Mara National Reserve we passed through a little airstrip in the bush. The land here was so flat that the two striped windsocks mounted on poles were visible for half an hour as we looked for secretary birds and lilac breasted rollers. When we pulled up to the airstrip I found that it was a busy place, full of planes landing and taking off every few minutes.
It would be a hard fate to go down in the memory of one’s friends as having been tripped up by a wandering zebra. “Tried to take off and hit a zebra!” It lacks even the dignity of crashing into an anthill.
—Beryl Markham in West with the Night
I was still reading Beryl Markham’s memoirs of flying in the early days of amateur flights in Kenya, when amateurs like her would sometimes be the only means of bringing dying adventurers from the bush to Nairobi. This strip was nothing like her descriptions of airstrips in the bush. No zebra or wildebeest would find anything to nibble on within a kilometer. I looked at the Landrovers lined up, glanced at the Maasai market in one corner, soaked up the chatter in French, Bengali, English, and Swahili, heard the continuous roar of engines, and realized that a hundred years had changed everything. There are several such airstrips in the reserve, and, if you fly in, then you land on the one closest to your hotel. It saves you a five hour trip if you come in from Nairobi, more from Mombasa.
I took a last few shots of the little hut that served as the control tower, and got into Stephen’s Landrover. There was a long trip ahead of us, and I was looking forward to it. I hadn’t had a good look at the trees in this patch of land on our way in. I was also looking forward to passing through the busy town of Narok again; it had looked charmless, but I love roadside towns.
There is a legend that elephant dispose of their dead in secret burial grounds and that none of them has ever been discovered.
— Beryl Markham in West with the Night
A thin layer of clouds crept over the sun, and I cursed my luck. It was just before the golden hour, and the light, instead of turning a brilliant gold, had turned watery and hellish. But then, as the wind turned, and a stench of rotten flesh hit my nose, I looked around and saw this tree full of vultures. What a moody and atmospheric shot this was, I thought, perhaps just right for the cover of a book on the Mongol invasion of the world, or perhaps the Black Death. But what we saw, as Stephen turned the Landrover upwind towards the source of the stench, was something totally unexpected.
The story of Tarzan of the Apes involves an elephant graveyard and its treasure of ivory. We know today that stories of elephant graveyards were just myths. But even the scale of a single dead elephant boggles the mind if you ever come across it. Every species of scavenging bird we’d seen in the Mara triangle seemed to be here in large numbers. As we watched a large white-backed vulture emerged from under the skin of the cadaver. It was clear that we had arrived very late. The mammal scavengers had already come and gone. The stench told us that bacteria had started breaking down the flesh. After the birds, insects would arrive to clear the little that remained. The elephant had almost completed the cycle of nature, returning its flesh to the rest of the ecosystem.
Istiklal Caddesi. This was the name which I would always think of as essential to Istanbul before I came here. Topkapi palace, Hagia Sophia, the Sulemaniye Mosque, were also-rans in my imagination. My imagination was full of what Nerval, Gautier, and Pamuk had written about Freedom Street. When I first climbed up from the Cihangir district to Istiklal Caddesi, it was everything that I’d hoped for: elegant shops and cafes as well as the charming decay of one of the world’s oldest global cities.
The street is full of elegant buildings slowly decaying, brought alive today by the vibrant street art that you see in the slideshow above. It was dead at noon on a Monday, and came alive slowly as the day progressed. Istanbul is a party town, and this area is not a bad place to be in.
The Family and I had breakfast on a narrow terrace on the top floor of our hotel in Kusadasi, looking out towards the harbour. We talked about what we’d seen in Turkey. It seemed to me that it had been months, but it was less than a week since we’d landed in Istanbul! The incredible sights of Cappadocia: fairy chimneys, balloons filling the sky, underground cities, now seemed so far removed. Trudging through the ruins of famous Greek cities, looking at the remnants of what used to be the wonders of the ancient world, had driven those older experiences into some far corner of the brain.
We looked at our phones together, swiping through the galleries of the last few days. Did we really see that? Remember the wonderful wine there. And that great Turkish coffee! Can you get me another glassful of that superb lemonade? Too soon it was time to leave for a drive to Pamukkale.
Still in light sleep, I registered the fact that The Family had opened the door on to the balcony of our room in Göreme. It was just past sunrise, and the room was full of light in spite of drawn curtains. Then my muzziness was gone when The Family’s excited voice called to me to get up and get my camera. I rushed out with my phone in hand and saw a marvelous sight. There were silent presences hovering in the air above us. It was as if we were inside a story by Franz Kafka, and a tenth of the town’s inhabitants had been turned into delicate teardrops which floated above us.
After some discussion we’d decided against taking a balloon in the morning. It would have been a wonderful sight from up there, but the spectacle from down here was stunning. All the movies about alien invasions, where spaceships come screaming down from the sky, fail to imagine what a stunning sight it is to have a hundred huge things silently floating above you. I went back to sleep, and when I woke later, this was like a strange dream. Only my photo remained to prove to me that what I’d seen was real.
In my earlier visit to Bharatpur’s Keoladeo National Park, I was so overwhelmed by the sheer number and variety of birds that I’d not registered how many other animals find a home in this wetland reserve. I don’t know much about turtles at all, and the variety here is a good place to start figuring out how to identify fresh-water turtles. The Indian Roofed Turtle (Pangshura tecta) is one of the easiest. I’ve seen them being sold as pets, but the individual you see in the photo was larger than the ones I’ve seen in shops.
I had to learn two technical words in order to start identifying turtles: the carapace is the hard shell on top, and the plastron is the hard underside of the shell. The plastron of the Indian Roofed Turtle is a yellow-orange in colour with the irregular black spots which you see in the photo. An additional identifier is that the neck has longitudinal yellow streaks, which you can see in spite of the fact that the neck is not fully extended. Since females grow to be larger in this species, this individual is likely to have been one.
A turtle’s life is slow and measured: slow maturity, taking 10-10 years, long and modestly fecund life, so that enough offspring are produced to fit into what were historically stable ecosystems. I’m not sure what the lifespan of this species is, but it is unlikely to be much longer or shorter than the usual lifespans of Indian turtles, which is about 60 years.
One evening, almost a decade ago, I looked up the sunset time and made my way to the carousel of the Louvre just before. I wanted to take a photo of the pyramid designed by I. M. Pei. The week had been overcast, and the evening was no exception. I hadn’t expected a large number of photographers there, but clearly this had become a photo spot de rigeur. Most of the people there had big lenses, tripods, light meters. I felt like a joker with my bridge camera in my back pack.
With some time to go before it became dark enough, I looked around for other shots. The dark clouds had taken on a golden colour as the horizon moved up to meet the sun. Through the Arc de Triomphe at the carousel I could look down the grand axis of this imperial city, to the Obelisk, and the Arc de Triomphe at Charles de Gaulle Etoile. In principle the Grand Arch of La Defense also lies on the same axis, but you have to go to one of the upper floors of the Louvre to get a view of all these four things lined up.
I’d passed by this spot the previous day as I’d walked up Rue de Rivoli from the Bastille and then decided to cut across the Seine to the left bank somewhere here. The sky was overcast, but the light on the quadriga was very good. I like the story of this sculptural group. As you probably know, Napoleon brought the original from San Marco in Venice and mounted it here. After Waterloo, it was returned to Venice by Austria. The present statue was put here to commemorate the restoration of the Bourbons after the fall of Napoleon. As the light faded I moved back to the scrum of photographers at the pyramid, and got the featured photo.