When the sun is a few degrees below the horizon, you can see the highest visible peaks of mountains just barely catch the light. The highest peak I could see clearly was Trisul, and only the peaks of 7100 m and 6690 m were visible from my viewpoint. I find this a magical time of the day. You can look up into the grey sky and find it blank, not a single star visible any longer. And you can look down into the valleys and see nothing, because a deep mist shrouds all the lights of villages in this transition between the seasons of sharad and hemant. Your hand is forced if you want to show what your eye sees: I used ISO 160, aperture f/5 and exposure of 1/250 s.


For the next shot I zoomed back, still keeping the focus on Trisul. A long shot shows you the surroundings better. I wanted to capture the valley in mist, and the ranges rising towards the high Himalayas. I was standing below 2000 m, above a slope of pine-dotted grassland. I panned west to the lower peaks around Nandakot (6861 m) caught the sun. This gave me a wider view of the valleys immediately below me. Both photos are taken with ISO 100, aperture of f/4 and exposure of 1/100 s.
This camera setting was just right for a shot of the valley. I could see the great river of clouds seething as the sun just began to touch its surroundings. You could argue that I should have used a wider aperture and a shorter exposure for this; perhaps the details in the clouds could be caught better. Perhaps. I will not argue much if that’s what you think. It is certainly worth trying. At this time of the year the clouds would boil away in an hour. A couple of weeks later the mist would take much longer to clear.
Two minutes later the horizon had tilted by about half a degree and the sun was visible just above the distant mountains. This was the hardest photo to take. I took it with ISO 100, aperture of f/2.8 and exposure of 1/250 s. Any less would have muddied the colour, any more and it would have blown out the mountains. Out of the box I didn’t have any colour in the vegetation. I had to do some tinkering to get some of the foreground. It is at times like this that I wish I was in the habit of exposure bracketing; that would have given me a couple of more images to play with. But then it would put a bigger strain on my external hard drives. You have to optimize.
Two minutes more, and the horizon drops to the east by another half a degree. The sun was now high enough to light the pines in front of me. I caught this photo of our driver and guide, Arjun, enjoying the sight of the sunrise. I upped the exposure to 1/80s for this photo, and you can see how the line of mountains has been blown out in order to bring out a little more detail in the foreground. The previous day had been a hard drive for him: from the plains to this village halfway up Kumaon. The plan for the day was lighter: just a foray into the grasslands to look for pheasants.