Maps for lost lovers

Ambush photography is a name I have for a corner of street photography in which you take photos of other photographers, and their subjects, usually without them being aware of you. (I love the fringe of this area when your subjects become aware of you and your camera, so that you enter the photo through their facial expressions.) Several years of ambush photography taught me that it can tell you of certain universals about human beings. In our times when the world seems both more closely knit together, and more rapidly disintegrating into blocs of us versus them, I like the picture of our common humanity that emerges when I put photos from different countries side by side. The photo here is one such universal. Couples want photos of themselves, and they love to look at the photos.

You may be disappointed that I did not say anything about Nadeem Aslam’s exquisite book, whose title I plagiarized for the title of this post. But the photo does contain an echo of the story of conflicts between human variability and weight of expectations which is at the core of his book. The couple stand next to a poster with a man and a woman posed in the manner of a famous shot from James Cameron’s popcorn movie Titanic. That trifling movie has begun to create a stifling convention of how lovers have to be imagined. I am happy that these couples did their own thing instead. A common humanity does not mean exactly the same ways of doing everything.