Door with Goats

Walking through Jodhpur, I saw this striking doorway with two goats tied up outside it. The door brought to my mind the story that V. S. Naipaul reports about his father, Seepersad. The father was the first journalist of Indian origin who worked for the Trinidad Guardian. As a confirmed rationalist, in one of his articles he questioned his compatriots’ belief in animal sacrifice. This incensed members of his community who forced him to sacrifice a goat. According to Vidia Naipaul, his father did not recover from this humiliation.

What form did my father’s madness take?
He looked in the mirror one day and he couldn’t see himself.
–Conversation between V. S. Naipaul and his mother
(in Finding the Center)

I’m sure that a clever writer like Naipaul meant something more with this reported conversation than just what one reads. I’m pretty certain that Naipaul the son presents this conversation as a metaphor for Seepersad’s inability to comprehend those in his island who believed in animal sacrifice. I wondered as I took this photo what I did not see here. How strange to find a resonance with Naipaul’s Trinidad in this distant town!

Advertisements

The Luck of the Clock

The Sadar Market of Jodhpur sprawls symmetrically around the clock tower in the center. Most of the market is about a storey high, so you have no problem telling the time, no matter which shop you are in. One of the Maharajas of Jodhpur, Sardar Singh, had caused the market and the tower to be built. I’m usually too lazy to climb a tower. There are several clock towers in the part of Mumbai where I live, and the thought of climbing one never enters my mind. But this was only four storeys high. Not a problem at all.

I could find very little about the tower. I asked the person who was selling tickets for it. He told me to talk to the man who maintains the clock. I never found how high it was, although I guess it is less than 30 meters tall. A local newspaper, Patrika, claims that the tower was completed in 1910, and the clock installed in 1911. The clock was built by Lund and Blockley, the same clockmaker who had supplied the clocks to the University and the erstwhile Victoria Terminus in Mumbai.

Mohammad Iqbal, the man who runs the clock, did not know much about its history. He said his father had been the first person to maintain the clock, and that he had been appointed to the job in 1968. The newspaper article claims that the the father, Allah Noor, took five years to repair the clock after it broke down in 1991, and was subsequently appointed to look after it. Whether 1968 or 1991, I found it hard to believe that a clock which requires daily manual setting would have run for decades without someone to look after it.

I find it easier to believe that there was a succession of keepers who would do routine work on it, such as winding it, or keeping it oiled. Allah Noor may have come to this job in 1968, as his son claims. It is possible that when the clock broke down in 1991, as the newspaper story would have it, and no one could be found to repair it, Allah Noor took on the challenge. The newspaper story and Md. Iqbal’s version agree that after the father’s death in September 2009, Iqbal inherited the position of time keeper. Lucky as his name, it would seem.

Iqbal was happy to be photographed. He pointed out the three weights which power the escapement mechanism. The tall room behind the clock faces is a little cramped because of the massive wheels, escapements, and gears which run the dials on the four clock faces. The thick stone walls would not have come cheap; I could believe the newspaper’s claim that in 1910 the tower and the clock took Rs. 3,00,000 to complete. It is hard to calculate inflation rates before the founding of the Reserve Bank in 1934, especially since different princely states had their own rupees. If we assume that between 1910 and 1934 the value of the rupee remained unchanged in Jodhpur, then the clock and the tower would have cost about 7 crores and 30 lakhs of 2017’s rupees (that is INR 73 million).

I wasn’t ready to climb up a ladder to the cupola, so Mohammad Iqbal’s place of work was the highest point I got to. The light inside the clock room was challenging, but I managed to take the photos that you see here. Iqbal said that he is helped by his son, Mohammad Shakeel, who, he hopes, will succeed him as the time keeper. I wished him luck, and came down the stairs to meet The Family. She’d found a nice bench on the terrace of the first floor, and was busy watching people in the market below.

Jodhpur’s Old City

Even if you have memorized the map of a new city, you have no feel for its life until you have walked through the streets. I’d left all the planning for Jodhpur to The Family, so I was constantly surprised. It began with my surprise that she chose a hotel right inside the old city, nearly at the base of Mehrangarh. After that the city laid out surprises one after another. We arrived, had lunch and decided to go for a walk. The temperature was twenty five degrees below Mumbai.

The roads of the old city are narrow. Cars will not be able to reach most places, so the default mode of transport is a motorbike or a scooter. Buildings are beautifully decorated. The traditional blue of the “blue city” is a mild colour obtained by adding natural indigo to lime wash. The bright blue of some walls is always a modern chemical paint, and the brightest are those on the walls of cheaper hotels. A surprisingly large fraction of buildings are faced with the local red rock which is often called Jodhpur sandstone. Quite a few use the golden stone of Jaisalmer. The light was wonderful. People and horses were doing their own things. There was something new around every corner. The Family and I were happy to lose ourselves in an unguided walk, occasionally peeping through open doors.

One and a half billion lives

Today is the 68th Republic Day. So I thought I would post pictures of some citizens of the country. These are not faces which appear on TV or in newspapers. They lead ordinary lives like you or me. My life intersected very briefly with theirs. I cannot imagine a thousand different lives, but there are almost one and a half billion different ones in this one country. Can you imagine yourself into the shoes of these few?

The photos were taken within a few days in Rajasthan. But for all you and I know, they could be a fairly representative cross section of the whole country.

Birds of Rao Jodha Park

We were trundling along a dusty semi-desert countryside when suddenly two birds flew across the road. The Family and I said simultaneously “Black-headed Ibis.” We stopped the auto and saw that behind the rocky wall on the left was a large but shallow lake. This was full of birds. Northern India, even the arid region of Jodhpur, is full of winter visitors. We got in an unexpected bit of bird watching, with multiple lifers.

The lake was Devkund, a part of the Rao Jodha desert park. Later we had an interesting lifer elsewhere in the same park. My lifers are marked in bold-face in the list below. Amazing that we had two lifers in a place where we were not aware that there was birding! Our bird list would have been longer if we had binoculars with us.

  1. Black-headed Ibis
  2. Common coot
  3. Gadwall
  4. Eurasian wigeon
  5. Mallard
  6. Common teal
  7. Great cormorant
  8. Little cormorant
  9. Common pochard
  10. Knob-billed duck
  11. Black-winged stilt
  12. Little grebe
  13. Egrets
  14. Red-wattled lapwing
  15. Red-vented bulbul
  16. Jungle babbler
  17. Indian robin
  18. Purple sunbird
  19. Black kite
  20. Long-legged buzzard
  21. Blue rock pigeon
  22. Eurasian scops owl

Rao Jodha Desert Park

We hadn’t heard of the Rao Jodha Desert Park before we looked at a map of the area around Mehrangarh. Nor, it seems, had the auto driver. We had to coax him along the well-marked road to the visitor’s center. An enthusiastic young man called Denzil then marked out a short route for us on a map of the park and explained what was special about the place.

The 700 acres within the old city wall of Jodhpur was painstakingly freed of an invasive species of plant, and local species were planted into the holes left by the deep roots of the invader. Repairs to the city walls were completed in 2005, and the process of recovering the desert ecology was started the very next year. The unlikely banker behind this army of eco-warriors was the Mehrangarh Museum Trust.

Mehrangarh, the fort which Jodhpur grew around, stands on a hill of volcanic rock made of hard rhyolite, the mineral which also forms the volcanic plugs called the mesas of Arizona. Here, they stand in flat slabs which you see everywhere. Around this is a softer rhyolitic rock called welded tuff, which is made of volcanic ash pressed together while still hot. There is a red coloured welded tuff which is commonly known as Jodhpur sandstone. Our walk took us down an ancient aqueduct quarried out of the crack which formed between a face of the welded tuff and the hard rhyolite, so we got a good look at both (see the two photos above). You can easily see the difference in the photos here. The path led down to Ranisar lake (featured photo). Very logical for an aqueduct to drain into a lake, I thought. The blue city and the fort can share this water. Wonderful planning against sieges which seldom happened.

We passed many different kinds of trees and bushes. Over the next few days I learnt to recognize the cactus-like bush of thhor (Euphorbia caducifolia), the leafless spurge. This was also my first view of the tangle of leafless stalks called the kheer khimp (Sarcostemma acidum) or rambling milkweed. The kheer is added to the name because of the milky sap it exudes from a broken stalk. There were stands of geedar tambaku (Verbascum chinense) and many other shrubs and herbs which I still cannot recognize. You can see some of them in the photos (do let me know if you can help me identify them). Many of these can also be found deeper in the Thar desert.

The desert park behind Mehrangarh with red welded tuff

Later on our walk we met Denzil again, when he showed us one of a pair of vagrant Eurasian Scops Owl which had nested in a thicket of trees. Walking back with him we learnt a little more about the effort involved in restoring the ecology of the area. That’s a story which newspapers have carried, so I won’t tell it here.

Jaswant Thada

Jaswant Thada lies on the way from Jodhpur to Mehrangarh. This cenotaph for Jaswant Singh II, ruler of Jodhpur, was built in 1899 by his son, Sardar Singh. The white marble building with its profusion of domes stands above a tiered garden built with red stone walls. We passed the super-sized equestrian statue of Jaswant Singh II, and walked past Devkund before we saw the warm glow of the marble structure in the morning sun.

We were early enough that there were very few other visitors. The place is full of whimsical touches. We passed a memorial to a peacock which is supposed to have flown into the funeral pyre of the king. We walked around the mausoleum and peered into its main hall. There is a silver throne in the middle of the hall, and portraits of the Rathore rulers hang on the walls. Pigeons roost everywhere, passing through the exquisitely carved marble jali. We descended into the small but well-maintained garden to see the three other memorials. There was a great view of Jodhpur from the far corner of the garden. As we walked back towards the entrance we had a great view of Mehrangarh.

It is a nice and peaceful place, and we got in a little unexpected birding in the lake behind the mausoleum. More about that in a future post.

Agency

In the crowded Ghantaghar market in Jodhpur I saw a stall selling bangles. Behind and to the side was the girl whom you can see in the photo above: face veiled and looking on passively. I jumped to a conclusion about the social standing of women in the town which The Family disputed. “The stall is managed by a woman. The buyers are women.” she said, holding that women participate in the economy. I could not disagree. There were as many women in the market as men. “But all the women are on foot, whereas the men are on two-wheelers,” I argued.

Later in the evening we walked through the Tripolia market, named after the triple gates in the walled city. The narrow lanes buzzed with scooters, and The Family pointed out that I had spoken too early. “Look at all the women driving scooters,” she said. Not only were they driving, there were also instances of two women on the same scooter (see the photo above). This was some kind of real-life Bechdel Test. In defeat I pointed out to her the wonderful triple gate which you can see in the photo.

The still widespread use of veils in Rajasthan has attracted a lot of comment. An audio guide in Mehrangarh claimed that it was adopted from Islam. I found a contrary view in an article in the venerable newspaper from Chennai, The Hindu: “Historians said the veil system was prevalent much before the Mughal invasion. “There is evidence of construction of separate `zanana’ chambers for women in the Chittaurgarh fort in the 11th century,” said Varsha Joshi of the Institute of Rajasthan Studies.” Varsha is a woman’s name, of course.

So both of us are still puzzled about this. Do women in Rajasthan have as much agency as those in the rest of India? It has the worst gender pay gap among Indian states, with women earning 59% less than males. In spite of that, this is a very ill-defined question in a state with a woman chief minister. Also, the 27 women members of the state Legislature (two of whom are from Jodhpur) make up 13.5% of the total strength. This places Rajasthan in the top half of India’s states when ranked by the fraction of women members of the legislature.

Court life

Mehrangarh, the seat of the Rajas of Jodhpur contains a gallery of paintings. The ones on show are largely from the 18th and 19th centuries. They show what life at the court was like during this peaceful period in Jodhpur’s history.

A painting by the renowned Mughal artist Dalchand shows Abhay Singh listening to court musicians. The painting contains a portrait of the king, as well as many details of the court. I can recognize the dholak, but the stringed instruments are different from modern ones. The singers have cymbals in their hands. Notice also the lack of tables to hold food, although the wine is on a table. Although Abhay Singh is supposed to have built the exquisite Phool Mahal, this scene is not set in that room.

This painting of a hunt by royal women was extremely instructive. Some women were not cooped up in purdah, but trained in the arts of riding and the use of weapons. I spent a long time admiring the painting of the deer and of the typical Jodhpur horses. The artist’s name is not recorded, unfortunately.

The painting of Holi at the court of Man Singh is an enormously detailed collaborative work by Rai Singh and Shivdas. I found it interesting to compare the portrait of Man Singh in this painting with that of him playing Polo. Notice that Holi is not played by women. Another interesting thing is the differentiation of the troops on foot: some wear white, others have largely bare bodies.

The painting of Man Singh and one of his queens playing polo with other courtiers is by Shivdas. I liked the beautiful geometry of the polo sticks around the puck. The portraits of the king and queen are also executed extremely well. Notice again the Jodhpur horses.

These two portraits of courtiers by unknown artists are separated by three quarters of a century, but shows a nice continuity of cultural style. The courtiers ride with attendants carrying a staff, a whisk, and a hookah. The style of the hookah also remains unchanged. There is little change in the style of saddle cloths too.

I’m sure there are many more paintings with the Mehrangarh trust. I hope they get a curator to put together a larger display at some point. It would be lovely to see such an exhibition. I’m especially looking forward to seeing the very rare paintings which show the life of less exalted people at the court.

Treasures of the Maharajas

The truly posh have always been parsimonious. That’s a conclusion I have come through after roaming through the collections of many major dynasties of the past. The rest of us may agonize over throwing away a jeweled couch to make place for the platinum encrusted sofa, but a royal will just build another palace to house the new.

Mehrangarh is no exception. You can see a collection of palanquins spanning two centuries which is large enough to make you feel that the family has more salted away in various cellars.

In the middle of a large number of decorative pieces I came across the incredibly historical: a sword which is said to have belonged to Akbar the Great. Akbar’s personal armour is in the collection of the museum in Mumbai. The fact that the sword is in Jodhpur is a testimony to the influence that Jodhpur had in the Mughal court during this period.

The oddest thing that I saw was a statue of the local goddess Gangaur. The festival of Gangaur is celebrated even now, and she is said to listen to entreaties of women to keep their men safe. The statue was decorated with enormous pearls.