There are many things about the Mattancherry palace of Kochi which one can write about: the integration of European proportions into a traditional Kerala architectural style, the beautifully worked materials used, such as the wood, flooring, and roof tiles, or the artifacts collected in the museum it now is. But every such description is incomplete because the main attraction cannot be shown; you are not allowed to take photos of the glorious murals on the walls. It is a loss in the description, but an opportunity to visit the palace and be surprised. When I stepped over the threshold of the entrance into the long rectangular anteroom, the first detail that I noticed was the intricately carved rosewood ceiling, and, through an arch at one end, the golden glow of the murals depicting the Ramayana that cover the entire wall of the king’s bedchamber
Carved screen on internal balcony
The palace was built by the Portuguese as a reparation to the king of Kochi in the mid 16th century CE, after they previous palace was looted and burnt. The overall style of architecture is traditional, the whole palace being built around a central enclosed courtyard. Visitors can look down at this from a covered verandah that runs around the inside of the upper floor. The materials used are also traditional: dark polished rosewood and fired clay roof tiles. The polished floor is specially remarkable, since it is not stone but a traditional composite material blended from charcoal, burnt coconut shell, egg white, and other ingredients. The arched doors and windows, the elongated rooms, and the external finish of the masonry is European.
Royal seal of Kochi
Brass handle for palanquin
The palace museum contains a gallery of several interesting artifacts including European-style portraits of the kings of Kerala. I was specially drawn to the palanquins on display. The alternation of carved and polished plain panels of the covered palanquin, and the ornate brass end-piece to the carrying-pole, were enough to tell us that this was for royals. The seal of the royal house confirms this guess. In contrast, the open palanquin lined with silk cushions would have seated a functionary. We wandered into the coronation room where the murals were being restored. Seeing us spend an abnormally long time examining the paintings, a gentleman from the archaeological survey interrupted his work and gave us a wonderful tour of the paintings in the room. We learnt from him how this room had been whitewashed in the 20th century, and how the underlying paintings are slowly being brought to light again. I can’t wait for the work to be finished so that I can visit this place again.
We had our first sight of this interesting Syrian Christian church when we walked into Kayees for a biryani for our first lunch in Kochi. We passed the St. George church of Mattancherry several times during the next few days. Finally, one morning The Family stopped at this place and led me in. Even then, we did not realize how important this site is in the history of anti-European protests in the world. It is a lovely modern structure, open to the air like so many of the traditional churches of Kerala. It was only later, when I started reading about it, that I realized that this place should be in every guidebook.
Bear with me for a moment while I paint in a background history which is not part of anyone’s textbooks. Christianity took root in the Deccan in the 1st century CE, the tradition being that it was brought by St. Thomas, who was one of the twelve disciples of Christ. The church of India was represented at the Synod of Nicea in 325 CE, which was the first gathering of Christian churches across the then-known world. Jesuit priests arrived in India with the Portuguese and began to Latinize the Malabar church, starting with the foundation of a diocese in Kochi in 1558. The revolt called the Coonan Cross Oath (Koonan Kurishu Sathyam), refers to a public oath taken by the Malabar Christian community in 1653 that they would resist the Latinization of the church, and would not recognize the authority of the Pope.
While I was still fussing about the coconut trees and the framing of the featured photo, The Family had discovered a cross at one side of the forecourt which seemed to be special. In retrospect I wonder whether this was the famous cross which was the famous leaning cross in front of which about 200,000 Christians took the oath of revolt against the Portuguese priest. I had discovered a dedication in another part of the forecourt which said that the foundation stone of the new structure was laid on 29th October 2005, and the church was consecrated on 3rd January 2006, to commemorate the 353rd anniversary of the oath.
I walked into a chapel with a large cross at its center, presumably the historic Coonan cross. A medallion at the center of the glass window behind it held a representation of the Turkish-Roman soldier who is today called St. George. This church holds some relics of the saint, and therefore could be considered to be among the most important churches dedicated to him. It is interesting that the stories of St. George had wide currency in the east, and even entered into Islamic theology as a prophet, but was carried to western Europe only after the crusades. This church overturned many of my assumptions about Indian, and the wider Asian, culture and history. I do wish that more people stop by here to see this site of the first Indian rebellion against European colonialism.