Mehrangarh, the seat of the Rajas of Jodhpur contains a gallery of paintings. The ones on show are largely from the 18th and 19th centuries. They show what life at the court was like during this peaceful period in Jodhpur’s history.
A painting by the renowned Mughal artist Dalchand shows Abhay Singh listening to court musicians. The painting contains a portrait of the king, as well as many details of the court. I can recognize the dholak, but the stringed instruments are different from modern ones. The singers have cymbals in their hands. Notice also the lack of tables to hold food, although the wine is on a table. Although Abhay Singh is supposed to have built the exquisite Phool Mahal, this scene is not set in that room.
This painting of a hunt by royal women was extremely instructive. Some women were not cooped up in purdah, but trained in the arts of riding and the use of weapons. I spent a long time admiring the painting of the deer and of the typical Jodhpur horses. The artist’s name is not recorded, unfortunately.
The painting of Holi at the court of Man Singh is an enormously detailed collaborative work by Rai Singh and Shivdas. I found it interesting to compare the portrait of Man Singh in this painting with that of him playing Polo. Notice that Holi is not played by women. Another interesting thing is the differentiation of the troops on foot: some wear white, others have largely bare bodies.
The painting of Man Singh and one of his queens playing polo with other courtiers is by Shivdas. I liked the beautiful geometry of the polo sticks around the puck. The portraits of the king and queen are also executed extremely well. Notice again the Jodhpur horses.
These two portraits of courtiers by unknown artists are separated by three quarters of a century, but shows a nice continuity of cultural style. The courtiers ride with attendants carrying a staff, a whisk, and a hookah. The style of the hookah also remains unchanged. There is little change in the style of saddle cloths too.
I’m sure there are many more paintings with the Mehrangarh trust. I hope they get a curator to put together a larger display at some point. It would be lovely to see such an exhibition. I’m especially looking forward to seeing the very rare paintings which show the life of less exalted people at the court.