Two years ago, I decided to take one day of my last weekend in Madrid to go off to see Toledo. I kept my camera on a little stool overnight to charge. After reaching Toledo I realized that my camera was not fully charged; perhaps the stool was a bit wobbly or the plug a little loose. I was carrying a phone which was then reputed to have one of the best cameras going, so I decided to draw out the battery life on my camera as far as I could, but it gave up when I needed it most.
Behind the high altar is one of the most outrageous pieces of rococo art that you can hope to see. A tall hole was cut into the top of the immense back wall of the cathedral to let a beam of light illuminate the pastry cake of an altarpiece. This ridiculously direct approach was then disguised in a wonderfully playful way by decorating the simple architectural idea with swirls of sculptures and paintings of angels, saints, and high panjandrums of the church. The effect is not only stunning, but also, because of the natural chiaroscuro, requires finicky photography. Just as I took the first photo (featured) my camera batteries gave up. The AIs behind phone cameras were already good enough to do nearly as well (photo above), but I did not have a zoom attachment on my phone to get close to some of the details that Narcisco Tome and his four sons had put together between 1729 and 1732 CE. That gives me another reason to go back, and I think I will spend a night in Toledo the next time around. I want to see this piece in the morning when the sun is at the right elevation.