When I saw the painting in the featured photo in Nairobi Gallery, I thought to myself “So like a Chagall.” Apparently Jak Katarikawe (born 1940 in Kigezi, Uganda, died October 19 2018) was sometimes called Africa’s Chagall for his whimsical paintings of elephants and cattle. In interviews he said that his sense of colour came from stained glass windows in the churches of Uganda. He was mentored by Sam Ntiru of the Makarere University’s art department, when he was a driver in the university. He moved to Kenya in the 1970s, and became professionally successful. This painting is probably from the 1970s.
Bruce Onobrakpeya (born 30 August 1932) experimented with techniques to make low-relief works through printing. The example in Nairobi Galery seems to be from his early experimental period when he started depositing bronze patinas on lino cuts. It would be interesting to see how he extended these methods over a large part of his lifetime, first using resin and plaster of Paris (which he called Plastographs), then metal foil, and finally artificial polymers which look like ivory.
Salih Abdou Mashamoun was born (in 1946?) in the village of Debeira in Wadi Halfa, Northern Sudan, which was inundated by the building of the Aswan High Dam. He was a poet and artist, and a Sudanese diplomat until the country became an Islamic state. In an interview, Mashamoun says that he was mentored by Seif Wanley in Alexandria, where he entered the university in 1964. He was the featured artist in the African Heritage exhibition in Nairobi in 1976 when it burnt down, so that much of his early work is now lost. This work, a gouache on stretched goatskin, is one of the two which were saved. It is from the period just before the fire.
These three artists whose works I saw in Nariobi Gallery stand at the beginning of the contemporary art of post-colonial Africa. It will be interesting to go back to Nairobi and explore the directions that their successors are taking.