The Vitthala temple was built by Devaraya II who ruled over the Vijayanagar kingdom in the first half of the 15th century CE. By his time the elements of the kingdom’s temple architecture were all in place, and they can all be seen in these ruins. The main area of the temple, the maha mandapa, stands on a plinth which is about one and a half meters in height. The outer pillars are made of single blocks of granite carved to resemble a group of more slender pillars. You can see a few examples of these in the featured photo.
The plinth is highly decorated. There are lines of horses (Vijayanagara was a major center of horse trade, you may recall from some of my earlier posts, with merchants bringing horses all the way from Arabia), of ducks (the hansa, with its multiplicity of meanings), and of the avatars of Vishnu. I spotted Balarama, Narasimha, and, of course, Krishna in many aspects (as the youngster stealing cream in the photo in the gallery).
From inside the mandapa I could get a closer view of the fired brick superstructures which make up all the shikhara in Vijayanagara. The bricks I saw here looked like they had a long square base, with a height which was about 2/7 of the sides of the square. That’s quite a different shape from the bricks that we use today. It would have been interesting to look more closely at more than a couple of the bricks to check whether these were standardized dimensions, and whether the dimensions changed over the centuries. I’m sure some historian of art and architecture has written about this, and I just need to dig a little deeper to find more about medieval Deccan’s brick-making.
The sanctum itself contains nothing any longer, but you can descend into a dark corridor that circles it. Above and around it are the more interesting things. The boxy pillars of the Vijayanagara style were designed to carry relief sculptures. We saw again the typical examples of Vijayanagara art- the studies of animals (the monkey was special), gods and goddesses, and purely decorative elements. The profusion of images takes time to absorb. I had begun to get the familiar numbness of mind that comes on you when you walk through a museum: too many beautiful things to see in too short a time. I walked out and sat on a bench at the entrance to the mandapa.
The doorway I’d just come out of was beautifully carved, with traces of paint still lingering on it after nearly six centuries of exposure to the weather. I got up to admire the sculpture around it. The door was topped by a wonderful relief of Gajalakshmi, Lakshmi flanked by two elephants. A cool breeze blew through this porch. I leant back on the stone backrest of the bench. It was an engineering marvel! The granite back had been carved just so, and was a relief to lean back on. This granite bench was unbelievably comfortable. Why is there no mention of this marvel in guidebooks?
You’ve done a lot of analysis in this post like most of your posts though. I can see an ancient brick making post coming up some time soon 🙂
LikeLiked by 1 person
Thanks. That’s a post I wouldn’t mind writing. 🙂 But seriously, I should have photos from many other sites to be able to compare.
LikeLiked by 1 person
Lovely doorway, and ceiling, and that first photo is a marvel.
LikeLiked by 1 person
Thank you 🙂
LikeLiked by 1 person
Such detailed work in all of these. Nice find!!
Pat
LikeLiked by 1 person
Thanks. Yes lovely place
LikeLike
Such detailed work in all of these. Nice find!!
Pat
LikeLiked by 1 person
Wow, that is intricate.
LikeLike
My feelings too 🙂
LikeLiked by 1 person
Great shots in this post. The last one could be made into a postcard. Bravo!
LikeLike
Thank you
LikeLike
It never ceases to amaze me the intricacy of these carvings and columns; I always enjoy your guidance through the details and highlights on them!
LikeLiked by 1 person
Thank you. They are astonishing, and I’m happy that I had the time to look carefully.
LikeLiked by 1 person