Sometimes I fidget with my camera. I get distracted, distanced from a concert I’m listening to, or a conversation I’m a part of. And then I pull out my camera, or phone, and take photos. These low light photos have very little chance of coming out well, but I can spend some pleasant hours of my life trying to edit them.
This was taken at a pub. I’ve forgotten who we’d gone with. A single photo remained on my old phone from that day. That lens could hardly get any colour in that light, so I decided to convert it to black and white, and then try to balance the illumination. Which version do you like? With the amount of noise in the image, I don’t think it makes sense to push the level up.
I don’t remember why I was bored when I listened to this concert. Apart from a few photos, my memory of the concert was that it was very good. Maybe I just had my camera in my hand and fidgeted with it. Again, I can’t decide whether it is worthwhile pushing up the level. After all, this is not a photo taken for a newspaper.
The featured photo could have been. It was taken at the Gateway of India on the first anniversary of the infamous terrorist attack. The two street children make some money by selling memorial candles to the largely middle class mourners. The texture of life in Mumbai is so complex.
Architectural styles adapt very fluidly to weather and techniques. This adaptability is so abundantly clear when you compare the architecture of 19th and early-20th century Mumbai to contemporary fashions in England. The Gothic Revival in its late Victorian guise transmuted into the iconic Indo-Saracenic style buildings of Mumbai. I think of this as F.W. Stevens using the medieval sources of inspiration of George Barry, transplanted to India, rather than the details of his style. The sea-front around the Gateway of India was realigned for the visit of George V of England. The buildings in the immediate neighbourhood were built in the 1910s and 20s, and were influenced by the Edwardian style, in the same way that Stevens adapted Barry. The detail that you see in the featured photo marries the Edwardian spirit to an update of the late Maratha style of construction from a century earlier. Notice also the flat terrace, a very Indian feature.
The exuberance of the sea front disappears in the row just behind it. On good days you may call this row harmonized . On bad days you might call it industrially repetitive. I walk through this road now and then with my take-away latte, admiring the solidity of the buildings. To me it appears to be an Edwardian reworking of the basic Victorian style, but quick and commercial. Floors of Gothic arches alternate with the classical. Symmetry is a driving motive. The decorative elements of the Edwardian style are entirely missing. The houses in the row are distinguished mainly by their colour. Notice the top floor; the unadorned cornices for some protection against the rain, and the simple sloping roof, are the only nods to the local weather. I am glad that this style covers only two roads. A city full of these houses would be oppressive.
In the evening we walked around the Gateway of India. When I walk here, I sometimes think of the enormous expense of that last hurrah of the British empire, the Delhi Durbar of 1911, in which George V and his consort Mary proclaimed their claim as the emperor of India. The ceremony was held in Delhi, but the king visited Mumbai. The whole seafront was realigned, and the gateway was built to commemorate that visit. Less than half a century later, the last British troops in India left for a voyage home from this point. I got a nice light on the harbour, along with the shadow of the Taj Mahal hotel on the gateway. The rise of Indian traders was the shadow that grew to engulf and expel the empire. Mumbai was the epicenter of that struggle. a fact that is written in its geography, if only one looks. I’m glad I caught those two pigeons right above the gate.
“That’s not what you think about all day,” I’m sure The Family will remind me. No, of course, not. I also take the time to look at tiny moths which I can’t identify. Like this beauty, a little over a centimeter long, hanging from the ceiling. The end of the abdomen seems to end in coremata, a organ involved in excreting male pheromones. They are common across many lepidoptera species, and not of much help in identification. The shape of the snout and the way it holds its antennae back along its abdomen could mean that it belongs to the family Crambidae. Whatever it is, it does look good.
The fag end of the monsoon is always depressing. Just when you have seen a day or two of bright sunshine and colour to remind you of what the world could be, the endless dreary rain sets in again. This year is no different. It has been a depressing gray since the weekend. Without social contact it is even worse. On Sunday I could not stand it any more, and the Family and I put on our rain coats and masks and went out to the Gateway of India in the evening. An espresso carry out, a stroll by the sea, and the sight of other people, although distanced and masked, revived our spirits for a while.
I felt cheerful enough to take photos of the depressing weather. The Gateway looked forlorn and beaten down by the rain. Usually it is cleaned by a work crew long before Diwali; I hope that happens this year. Far in the distance I could see the usual semi-industrial wasteland of the docks below the hills, the feet of the Western Ghats dipping into the sea. I guess the time when these toes of the Sahayadris are chopped off have just been postponed by the economic depression brought on by the epidemic. One can see a silver lining in everything when one feels upbeat.
In a normal year, by this time the season for sailing in Mumbai would be over. Although the warming oceans mean that the monsoon is unlikely to go back to its “normal” arrival time, tropical storms are brewing in the Bay of Bengal, and there is unsettled weather in the southern part of the Arabian Sea already. It felt nice to look back at old photos of a sail in Mumbai Harbour.
I’m not a sailor but I don’t turn down invitations for a quick sail around the three lighthouses. This was a lightning class sloop. I’m happy to sit close to the water, receiving instructions from the skipper to tighten a rope or duck my head as the boom swings around, feeling the little spray hit my face. The Family likes to take a position at the back where she can keep an eye on the boom and the sky. Her brother is our usual skipper, an experienced sailor in several waters.
It wasn’t a crowded day. Once we got clear of the main lanes leading from the Gateway to the the jetties on the main land, we passed a few moored boats, a few other lightning class boats out for a sail, and one deep sea fishing boat with a crew of five, strangely busy hauling nets at the edge of the harbour. Perhaps not so strange, on second thought. The name Apollo Bandar is supposed to be a corruption of the old Koli name, Palva Bandar, for the fish that was plentiful in the harbour as recently as five generations ago.
The sky was clear, flecked with wisps of clouds. The day was warm, but a nice steady breeze kept the sails half filled, and drove small waves on the sea. The sail was smooth, no need to tack constantly, or fiddle with the ropes. The boom swung around once as we rounded the yellow and red Prong’s lighthouse and headed back for a beer on the long verandah of the Yacht Club.