May is a month when there’s no lack of light. It is the height of summer, when you wait eagerly for the quenching rain. The sky is flash burnt to a white like a nuclear explosion. Even the inside of the house is bright and hot. You can withdraw from this world by drawing thick curtains across windows, switching on the air conditioning, and living by artificial light. Or you can take the less comfortable, but more satisfying route of drawing a curtain of green across your balcony to filter the light and allow the sea breeze to pass through your house. This year we succeeded in creating the second route.
Behind the filtering curtain of Bougainvilleas the light is mild and the shadows are subtle. I could take flower macros in this light, there would be no danger of blowing out details or losing them in black. The erect stigma of Hibiscus always draws my eyes. Sitting on the balcony I wondered why erections are feminine for this species. Could it be a device to avoid self-pollination? The stamens and the pollen sacs are always placed well behind the fivefold stigma. Focus bracketing gives interesting effects when you photograph a bud about to open. The delicious play of light and shadow on the stigma is perhaps better captured in the featured photo.
The delicacy of white Bougainvillea always gives me pause. The true flowers of the plant are always white of course. It is only the bracts, not flowers at all, which are different colours. But the paper thin bracts are beautiful. Here I focused on the flower, so instead of the texture of the bracts, you see them as abstract areas of light and shadow. I see this as a monochrome photo, rendered in shades of green, from dark to light.
One bunch of the flowers on this pink Bougainvillea was curled just so that I could focus both on the open flower and the texture of the bracts. Looking through the viewfinder, I lose myself in the minutely detailed texture of the bracts, the surface like paper, but with a network of veins. The light shows how the bracts curve in space. On a flat surface of a photo, it is only light and shade that tells you of the shape of things in three dimensions. Without shade a photo would be just flat patterns. I’m happy with our shady balcony this year.